Wednesday, 22 June 2016

Esther de Waal - On Henri Nouwen and Rembrandt's painting of The Prodigal Son


Notes from Esther de Waal's opening talk at the Henri Nouwen Society's 'Way of the Heart Conference' - June 10, 2016.
Her comments were based on Nouwen's book 'The Return of the Prodigal', which in turn were his reflections on Rembrandt's masterpiece.
  • We are even more lost
  • Coming home and staying there, where true love is to be found
  • It is the gift that we are to lay claim to
  • Where do you dwell?
  • Christ's answer is 'come and see.'
  • How does Henri go beyond his deep searching?
  • The new monasticism - to keep the still centre in our lives
  • If you are looking for theology in Wales, look for the poets
  • The visual was very important for Henri
  • When I am too tired to read, to tired to do or to pray, I can still look at art
  • Looking at a painting with my heart's eye
  • Quite deliberate steps - battered by mission and vision statements
  • The need to look with long and prayerful attention
  • The need to enter into art
  • June 19, 1983 - Henri first encounters the Return of the Prodigal
  • Just completed a 6 month tour of the US, overwhelmed by his own neediness
  • In July 26, 1986 he goes to St. Peterburg's to see the painting
  • It is a huge painting 6 feet by 8 feet
  • He sees the feet of the prodigal
  • Luther called the parable the gospel within the gospel
  • Picasso drew a painting of the prodigal before he comes home
  • Illusion - to play with words
  • The story of the prodigal are the root of the 3 Benedictine rules
    • Listening quietly, listening intently
    • To change, to move forward,
    • To come home, staying in the loving embrace of the father
  • We are lost, we have lost the key to our heart, profound and inescapable journey
  • Henri sat for hours in front of the painting in the Hermitage, there day after day
  • The feet - the bare feet which has experienced the harshness of the earth
  • The duality of the two hands
  • One hand tender and the other strong, two diverse voices both speaking the words of truth
  • Eyes that go into our innermost self, one so compassionate
  • Neither of those eyes were judging looks
  • How do you see?
  • You can glance, you can look but only for what you want to see
  • Look, stay still, gaze into the innermost being of your subject
  • Holding himself still before the haze of God; that gaze without judgment, and this the gaze we are to look with at others
  • It means you see Easter in the other
  • You forget the labels, you gaze with the eyes of the resurrection
  • The eyes of the elder son, are the eyes of judgment, frozen anger, resentment - he has worked hard and has done everything expected of him
  • Look at him leaning on his staff, fashionable head gear, very, very scary
  • Contrary to the generous master who invites labourers to come and be pay regardless of how long they work
  • Figures are frozen in time
15th Century 'Holy Trinity' (Troiksa) Icon by St. Andrei Rublev
  • 15th Century icon - 3 people sitting in a circle
  • They are all relating
  • Feet happily on the ground
  • The cup among them - the cup of suffering
  • The unity of the trinity bring relief to the suffering of the Russian people
  • Holding things together
  • The box holding the bones of the Martyrs
  • We are drawn in to that table, that circle of
  • Love,  the hands united pointing to the cup
  • They can listen to one another, it is a circle of love that we are being called to
  • Can't tell who is the Father, the Son and the Holy Spirit - the deep communion among the free
  • The listening eyes, the gift of the gaze
  • The prodigal can't remain kneeling forever
  • His heart has been pierced by the love of his father, you are re-energized, full of love to express itself in love and action
  • The need to revisit his forgiveness
  • Forgiveness is the greatest gift for freedom and healing
  • Being the beloved - are you going to receive it?
  • The way you look at someone can transform them
  • Can you see the resurrected person? Isn't this the gift of L'Arche, this household of love?


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